Jivya Soma Mashe has an unusual background. He lost his mother at an early age of 7 and out of shock he stopped speaking for several years, communicated only by drawing pictures in the dust. This strange attitude soon won him a special status within his community.
The first government agents sent to preserve and protect Warli Painting were amazed by his artistic abilities. Jivya Soma Mashe showed a heightened sensitivity and unusually powerful imagination, which seem to be the legacy of his early introspective period. Paper and canvas freed him from the constraints of working on rough, sheer walls and he transformed the brusque look of the ephemeral paintings into a free, deeply sensitive style. His sensitivity emerges in every detail of his paintings. Strokes, lines and a mass of dots swarm and vibrate on the canvas, coming together to form clever compositions which reinforce the general impression of vibration. Details and the overall composition both contribute to a sense of life and movement. Recurring themes, from tribal life and Warli legends, are also a pretext for celebrating life and movement.
Jivya Soma Mashe sums up the deep feeling which animates the Warli people, saying "There are human beings, birds, animals, insects, and so on. Everything moves, day and night. Life is movement".[citation needed]
The Warli, adivasi, or the indigenous peoples, speak to us of ancient times and evoke an ancestral culture. An in-depth study of this culture may give further insight into the cultural and religious foundations of modern India.
Jivya has two sons Sadashiv and Balu and a daughter. His elder son, Sadashiv was born in 1958. Both of his sons are well known exponents of this art form.
The first government agents sent to preserve and protect Warli Painting were amazed by his artistic abilities. Jivya Soma Mashe showed a heightened sensitivity and unusually powerful imagination, which seem to be the legacy of his early introspective period. Paper and canvas freed him from the constraints of working on rough, sheer walls and he transformed the brusque look of the ephemeral paintings into a free, deeply sensitive style. His sensitivity emerges in every detail of his paintings. Strokes, lines and a mass of dots swarm and vibrate on the canvas, coming together to form clever compositions which reinforce the general impression of vibration. Details and the overall composition both contribute to a sense of life and movement. Recurring themes, from tribal life and Warli legends, are also a pretext for celebrating life and movement.
Jivya Soma Mashe sums up the deep feeling which animates the Warli people, saying "There are human beings, birds, animals, insects, and so on. Everything moves, day and night. Life is movement".[citation needed]
The Warli, adivasi, or the indigenous peoples, speak to us of ancient times and evoke an ancestral culture. An in-depth study of this culture may give further insight into the cultural and religious foundations of modern India.
Jivya has two sons Sadashiv and Balu and a daughter. His elder son, Sadashiv was born in 1958. Both of his sons are well known exponents of this art form.
